Wednesday, March 17, 2010

Charlotte Cotton Lecture, Fine Arts Lecture Series


Monday March 22nd, 5:30pm Meyerson B3
Charlotte Cotton is the creative director of the National Media Museum's London space, opening in 2012. This space will host exhibitions, debates and other ventures focusing on both historical and contemporary issues in photography, film, television, animation and the web. Previously, Charlotte has held positions as curator and head of photography at the Los Angeles County Museum of Art, as curator of photographs at the Victoria and Albert Museum, and head of programming at The Photographers' Gallery in London. She has curated many exhibitions of historical and contemporary photography including Heavy Light: Recent Photography and Video from Japan and New Topographics: Photographs of a Man-Altered Landscape (both 2009), Guy Bourdin (2003), Stepping In and Out: Contemporary Documentary Photography (2003), Out of Japan (2002), Imperfect Beauty: The Making of Contemporary Fashion Photographs (2000). She has published four books, including The Photograph as Contemporary Art, and has contributed to a variety of monographs and exhibition catalogues.

Fall Photo Courses...

SENIOR FINE ARTS THESIS SHOW!

March 23-April 11, 2010
Gallery open M-F 10am-5pm

Opening Reception Tuesday March 23, 2010 5-7pm
Charles Addams Fine Arts Gallery


Olivia Coffey, "Evelyn and Thomas"
28" x 42"
Archival Quality Inkjet Print.


Elizabeth Cunningham, Untitled.

Tuesday, February 9, 2010

Eleanor Antin Lecture!

ELEANOR ANTIN
B1 Meyerson Hall

Lecture Series event featuring performance artist, filmmaker, and installation artist Eleanor Antin

Hosted by the Department of Fine Arts

Supported by the Spiegel Fund

Plaisir d’Amour (after Couture)

Eleanor Antin was born in New York City in 1935. An influential performance artist, filmmaker, and installation artist, Antin delves into history as a way to explore the present. Antin is a cultural chameleon, masquerading in theatrical or stage roles to expose her many selves. Her most famous persona is that of Eleanora Antinova, the tragically overlooked black ballerina of Sergei Diaghilev’s Ballets Russes. Appearing as Antinova in scripted and non-scripted performances for over a decade, Antin has blurred the distinction between her identity and that of her character. In her 2001 series The Last Days of Pompeii, Antin lingers behind the camera to stage the final, catastrophic days of Pompeii in the affluent hills of La Jolla, California. Eleanor Antin received a Guggenheim Foundation Fellowship in 1997 and a Media Achievement Award from the National Foundation for Jewish Culture in 1998. She has had numerous solo exhibitions, including an award-winning retrospective at the Los Angeles County Museum of Art in 1999. This lecture is a Speigel Distinguished Artist Lecture Series.