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Becky Young: "A Body of Light"

Micah Danges in group exhibition in Baltimore, MD

Tetsugo Hyakutake solo show at Alan Klotz Gallery in Chelsea.

High Line Art: Demetrius Oliver, Jupiter

On Tuesday, September 7, 2010, Friends of the High Line will debut Demetrius Oliver's Jupiter, a major public art commission combining original photography, music performances by The New School for Jazz and Contemporary Music, and stargazing with the New York chapter of the Amateur Astronomers Association on the High Line. Join Friends of the High Line and the artist at the opening.

New Website for Jacques-Jean ( JJ ) Tiziou

Discover the brand new web presence of JJ Tiziou Photography. Please check it out and share it with anyone who'd be interested.

Jamie Diamond's Portrait Histories at Ramis Barquet Gallery in NYC

Untitled (Veneer)

Portrait Histories
09/10- 10/2
opening reception:

09/10 from 6-8pm

Ramis Barquet Gallery
532 W. 24th street
New York, NY 10011

www.ramisbarquet.com

Gallery Hours
Tuesday- Saturday
10am-6pm

Performance Hours
Tuesday-Friday: 2:30-5:30
Saturday: 12-6pm

Still from the series, Portraits of Craigslist Strangers

Brittany T. Binler PDN PHOTO Annual Winner!

From the series “Suburban Night,” which deals with the ideas of outsider/insider status, void and disjuncture.

Wahl and Danges at the Tate Modern?

Brent Wahl (faculty) and Micah Danges (staff) will be featured along with the other artists at the Vox Populi artist collective at the Tate Modern’s Turbine Hall as part of a three-day festival entitled “No Soul For Sale – A Festival of Independents,” from May 14-16. Tate Modern is working in collaboration with artist Maurizio Cattelan and curators Cecilia Alemani and Massimiliano Gioni to stage this event.

Just released this month, Wahl and Danges are also two of the artists featured in Vox Populi's first publication, We're Working On It. It’s a 120 page book that includes the history of Vox Populi (by Amy Adams), the starting point for a history of artist-run spaces in Philadelphia (by Richard Torchia), and an essay on our city's identity as a center of artistic production (by Paul Galvez).