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Anna Neighbor (UPenn Lecturer) and artist Corey Antis have an exhibition opening at Greenlease Gallery on Friday, March 30th in Kansas City. If you're traveling through the midwest, check it out!
Matthew Day Jackson (born 1974, lives and works in Brooklyn, NY and Wilson, WY) is an American artist whose multifaceted practice encompasses sculpture, painting, collage, photography, drawing, video, performance and installation. Since receiving an MFA from Rutgers University in 2001, the response to his numerous solo exhibitions has proved him to be one of the most inventive and though provoking artist of his generation. Jackson's work has been widely exhibited nationally and internationally and is included in both private and public collections.
Tetsugo Hyakutake Artist Reception and Talk
Exhibition ongoing through June 11th
Thursday, 3/29, 6:30 – 8:00, $15
*Proceeds from the reception will be shared with the Japan Society for their Japan Earthquake Relief Fund.
The Silent Existence exhibition marks the one year anniversary of the earthquake and tsunami that struck Japan in March of 2011. Over the years, Hyakutake has worked with Japan as the theme of his art, investigating pathos in relation to historical, social, and economic issues involving industrialization and urban and social development.
Japan has been suffering from the aftermath of the tremendous earthquake and tsunami that devastated vast areas in North eastern Japan on March 11, 2011. The disaster was an immense shock to the nation, and the quake and tsunami laid waste to entire towns and villages along the Pacific coast. Hyakutake chooses to work with contemporary issues in relation to their historical contexts. Through his artwork, Hyakutake create what he calls his own “truth” formed from the influences and experiences he has absorbed. His images attempt to portray only one version, but by doing so, he hopes to be able to bring out other meaningful “truths” that may lie deep inside the audience.
** In partnership with Gallery 339 and Alan Klotz Gallery, PPAC will also be selling two disctinct prints by Tetsugo Hyakutake during the course of his exhibition at PPAC. 100% of the proceeds from print sales will go to the Japan Society.
Please join ICA Philadelphia for the opening celebration of First Among Equals. In a moment of unprecedented social connection, how do artists work together outside of their individual practices? Focusing on Los Angeles and Philadelphia, First Among Equals considers the various modes that contemporary artists have developed to work with their peers and reach across generations. Cooperative, if at times contentious, contributions to the show include performance, publications, curatorial projects, and artworks that incorporate the work of other artists. Who comes first in these relationships? By highlighting the dynamics of negotiation, dialogue, influence, contingency, and competition at work in contemporary artistic practice, First Among Equals resists the notion that collaboration equals consensus.
First Among Equals draws on the respective communities of the exhibition's curators. Philadelphia participants include Bodega, Alex Da Corte, Extra Extra, and Marginal Utility and Machete Group. Los Angeles participants include Kathryn Andrews, P&Co., Mateo Tannatt, and Wu Tsang.
Opening Celebration
Wednesday, March 14, 6:30PM
Celebrate First Among Equals with a DJ set by Wendy Yao of Ooga Booga (Los Angeles), a performative sculpture by Kathryn Andrews, complimentary La Colombe coffee, and a cash bar. The evening begins with an exhibition walkthrough with participating artists and curators Alex Klein and Kate Kraczon.
Participants: Kathryn Andrews, Bodega (Elyse Derosia, Ariela Kuh, Lydia Okrent, James Pettengill, Eric Veit), Alex Da Corte, Extra Extra (Derek Frech, Joe Lacina, Daniel Wallace), Machete Group (Avi Alpert, Alexi Kukuljevic, and Gabriel Rockhill), Marginal Utility (Yuka Yokoyama, David Dempewolf), P&Co. (Aram Moshayedi, Carter Mull, Jesse Willenbring), Mateo Tannatt, Wu Tsang
Laurence Salzman |
Please join us for this informative talk, which will touch on Salzmann's editorial priorities for his work with photographs and films. Together we will inquire about the relationships he creates between his work and the human subjects that he photographs. Salzmann will illustrate the discussion with excerpts from his works in Romania and Cuba, including Last Jews of Radauti (1974) and Imagining Cutumba (2004.)
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The videos are funny partly because they are incongruous: insightful jabs made by a hip-hop personality whose faux-outsider perspective is intended to challenge the art world’s pretensions and inaccessibility. In his most-watched video, “How to Make an Art,” Hennessy sarcastically criticizes his audience for using terms like “talent” with regard to art — while wearing a baseball cap depicting Ernie from Sesame Street and an outsize medallion of a pharaoh.
“Hennessy comes out of a specific reaction to graduate school and the academic, fine-art world that I was exposed to at school,” said Mr. Musson, who received a Master of Fine Arts from the University of Pennsylvania last spring.
The project will document the pace and energy of life at Penn through the eyes of the community in the form of a photo essay. Starting at sunrise, the participating photographers will capture images of campus activities throughout the morning, the afternoon, and into the evening.
The University Communication's department hopes to showcase the beauty of the Penn campus, academic life, tours and activities with potential students, community engagement, research, athletics and recreation, and other activities. Once captured, "A Day in the Life of Penn" will be presented on a multimedia website built to also include opportunities for interactivity and user engagement.
For more information please contact UCOMMS-WEB@LISTS.UPENN.EDU